For the Nikon Pro photographer who usually carried the familiar trio of 17-35mm, 28-70mm and 70-200mm lenses, the move from film (FX body) to digital (DX) also required the change of at least two of these lenses to get back the familiar field of view of the wide angle effect. In the start of the digital era we all had to do with what was already available (eg: 17-35mm or 14mm) but eventually (better late than never) Nikon released the AFS 12-24mm f/4G DX lens that would take the place of the 17-35mm on the DX format bodies and a little
